Monday, August 29, 2011

things that make me happy #393

Seen parked in the lot of a local movie theatre: a new, shiny white hearse.  Dunno what movies were showing, but one of them must have been pretty bad...

Monday, August 22, 2011

Ahhh...Pictures!

Alright, ladies and gents, here comes the picture marathon!  Do note that the selections are a bit haphazard due to time constraints...

 
Phil's demo yunomi (untrimmed)


Phil's demo chawan (untrimmed)


Assorted pots of Phil's from the demo on carving through slip, and hakeme slipwork


Eacles imperialis- these lovely critters were everywhere...so lovely to see so many of one of my favorite moth species out and about- this charmer kept flying in and out of the clay studio one evening.  
(See Colin, I'm still a bug lady!)


Phil posing with the loaded Ginn-Ginn...and gingerade!


Kiln god for firing #1...one guess at who this guy is.


Judy and Melissa salting Ginn-Ginn


Mike and Melissa salting Ginn-Ginn



Pots from that first firing


One of my yunomi from that first firing- nice oribe glaze, crystals on one side, hare's fur on the other!


Foster the service dog, imprisoned on Foster Island, watching Gail glaze


Melissa, Ann, and, I think, Phil side stoking the firebox of the wood kiln


Anne modeling the height of woodfire fashion



Cooling day- one of the places we went on our field trip was Bandana Pottery, Michael Hunt and Naomi Dalglish,  who make wood fired pots out of local clay...we also went to Michael Kline and Shawn Ireland's studios, and to Crimson Laurel Gallery in Bakersville.


...And then back home to fire Julia (I love this kiln!)
 (Y'all- I have no pictures of all the pots together from this firing- and they were lovely...I'd love to have a copy if any of y'all took pictures of them)


 Sunday's wood stacking party


Followed by un-bricking the wood kiln doors (note Susan monitoring the door brick stacking situation)


Wood kiln, first chamber (ash only)


Wood kiln, second chamber (residual salt- no new salt added)


At Penland, everyone mops- here Phil demonstrates his mopping prowess...either that or the 80's British Gold on the stereo was too much for him, so he had to get up and dance...I heard some singing coming from his end of the room...


Pieces from upper textiles floating on the breeze at show and tell


...And that empty studio...waiting for us all to come back.


...Four more weeks...

Wednesday, August 10, 2011

...and then there are really crazy people.

...but that's all over now.  We finished up a fabulous session yesterday, and now pretty much everyone has left, which is kind of depressing.  The next fun item on the agenda will be working the annual Penland Benefit Auction, but I'm getting ahead of myself.  Please note that the lack of pictures in this post is not due to not taking them, but to the inability of the Northlight computer to find them in a speedy enough manner- I'll post them on a more cooperative day.

We started out on a roll by blowing up all of our low temp cone packs for our first firing by not having them quite dry enough for the speed of the kiln- this meant stopping and cooling the kiln, unbricking the door, vacuuming out the cone pack dust and pieces, re-bricking the door...and getting up even earlier the next day to start it again (4:45 am as opposed to 5:45 am- a kiln, an airplane flight or driving to Penland are the only things that will get me out of bed at that ungodly hour).  Once we finally got it going, our first firing, in Ginn-Ginn the new salt kiln, was smooth sailing (none of the gas-leaks, scary-looking door, and other fun that went with firing Ol' Rusty), though when the pots came out, they were not as heavily orange-peeled in texture as Phil had hoped for- and that was with 29 lbs of salt (new kiln!)!

That fiasco with the cone packs meant that the day of rest and sleep, that we had planned to have between firing the salt kiln and firing the wood kiln, evaporated- so instead I slept in until lunch on the first day of the firing (not counting the brief kindling from the night before, an 8 am start time). this still meant that from lunch Thursday, up until lunch Friday when the wood kiln went off,  I had a grand total of one hour of sleep in 24 hours...But then I slept most of the afternoon once we finished the firing!  The firing itself went fairly quickly -we had to hold the kiln back- a big part of this was that the wood was very dry, as no session has fired the wood kiln since last summer.  We did have one cool spot in the back chamber that resisted all attempts at evening out- Phil tried his best to even it by packing the firebox full of wood, pushing the damper in and reducing like crazy (it sounded and looked rather like a dragon with the roaring rumble of the fire, and the 8 feet of flame spouting out of the chimney), but in the end we had to leave it, as cone 11 was down, or low, throughout the rest of the kiln.  What Phil later said must have been the problem was that the back stack was placed too close to one side, thus creating the cold spot.  With the under-fired exception of that one corner, the pots from that firing came out beautifully- not heavily salted (we added no salt beyond the residual on the walls of the second chamber), but nice and toasty, with nice flame movement over the pots.

Our last firing was in Julia's kiln, which was enjoyable for me because it was the first one that I really felt that I had some significant participation in, and (ready, session 6ers?) I Love This Kiln!  The pots that came out were beautiful too- nice and warm, with a varied surface; a little more variety than in the first salt...just nice.  12ish lbs of salt.  I Love This Kiln!

After all the firings, and indeed throughout the session, I was very impressed by the eagerness of the students to volunteer and contribute to get things done and to clean up in a prompt fashion- no chasing people down, just "what can I do?".

All four of us assistants, plus the wonderful Susan the clay coordinator, spent today cleaning the studio like OCD crazy people- the school is having a lunch for its more generous donors in the clay studio (?!) on auction weekend, so it needed to be spotless.  FYI- that floor was mopped 2-3 times by the students on clean-up day, 3 more times by us assistants today, and will be mopped several more times by a volunteer crew tomorrow.  All I can say is that the incoming session 6ers have the cleanest floor of the year- enjoy it.

Monday, August 1, 2011

Welcome to the land of crazy people!

Total insanity up here in the clay studio- yesterday was the last day for wet work that will be fired here, and I was up until 3:30am getting bisques loaded and fired up.  We've been loading firm leather hard pots into bisques, with 12-hour pre-heats on the kilns, and the dry boxes have been crammed full to bursting- no exploding pots yet!  Today was a madhouse of glazing, and then kiln loading (in Gin-Gin, the new large salt kiln- Ol' Rusty's brand spanky new replacement).  Everyone chipped in impressively to clean the trashed studio afterwards (no shortage of volunteers, very Penland), and we're going to celebrate all the good mojo with a root beer float party after evening Slides! (The Paper, Print and Letterpress instructors and assistants are up tonight.)  Tomorrow will be firing Ms. Gin-Gin all day; and a glazing frenzy again, for the wood kiln this time.  We'll be wood firing Thursday and Friday- come up and watch!